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HOLBEIN, Ambrosius
German Northern Renaissance Painter, 1494-ca.1519
Painter, draughtsman and designer of woodcuts, son of Hans Holbein. In the drawing of Ambrosius and Hans Holbein the Younger (1511; Berlin, Kupferstichkab.) by their father, Hans's age is given as 14, and although that of Ambrosius cannot be read clearly, he appears to have been the elder brother. In 1514 he was probably working near the Bodensee, and a Virgin and Child (Basle, Kstmus.), with the coat of arms of Johann von Botzheim, Canon of Konstanz Cathedral (c. 1480-1535), appears to be his work. In 1515 he was working as a journeyman to the painter Thomas Schmid (c. 1480-c. 1550-60) on the decoration of the abbot's Festsaal in the Benedictine St Georgkloster at Stein-am-Rhein, which included allegorical figures of women, one of which, Death with a Female Lute-player (in situ), is signed AH. Also in 1515 he joined his brother Hans in Basle, where together they decorated with marginal drawings (1515-16) the copy of Erasmus's Praise of Folly (Basle, Kstmus.) belonging to the schoolmaster Myconius (Oswald Geissh?sler; d 1552); the distinction between the hands of the two brothers can be made only on stylistic grounds. They also painted a school sign for Myconius, each apparently working on a different side. On 25 July 1516 Ambrosius was recorded staying in the house of the painter Hans Herbst, in whose workshop he may have been employed. On 14 February 1517 he was enrolled in the Basle painters' guild, and on 5 June 1518 he became a citizen of the city. Numerous woodcut designs executed for Basle printers from 1517 onwards and signed with Ambrosius Holbein's initials survive, most of which are set in architectural frameworks inspired by the Italian Renaissance, Related Paintings of HOLBEIN, Ambrosius :. | Maria Magdalena in der Wuste | Interior of an inn | Heavenly Love and Earthly Love gg | The Peace of Angers (mk05) | The Portrait of Lin Dun | Related Artists: Auguste Chabaud1882-1955,French painter, sculptor and writer. He trained at the Ecole des Beaux-Arts in Avignon with Pierre Grivolas (1824-1905). After moving to Paris in 1899 he attended Fernand Cormon's atelier in the Ecole des Beaux-Arts and William-Adolphe Bouguereau's studio in the Acad?mie Julian. He also studied at the Acad?mie Carriere, where he met Matisse, Jean Puy, Andre Derain and Pierre Laprade. While family responsibilities from 1901 and military service in World War I sharply curtailed much of his early output, he nonetheless produced noteworthy paintings and sculptures from 1907, the first year he exhibited at the Paris Salon, to 1913, when he exhibited at the Armory Show in New York. Petere Lelypainted Julia Fasey, Lady Crewe in 17th century
Edwin Howland Blashfieldmural painter and mosaic designer.
American ,1848-1936
American painter. He began to study art seriously in 1867 in Paris under L?on Bonnat, with whom he remained (except between 1870 and 1874) until 1880. Blashfield's mural style was significantly influenced by Pierre Puvis de Chavannes, Jean-Paul Laurens and Paul Baudry, whose decorations he had studied in the Panth?on while in Paris. He made a trip in 1887 to England, where he became briefly associated with the Anglo-American artists' colony in Broadway, Glos, which included Edwin Austin Abbey, John Singer Sargent, Lawrence Alma-Tadema and Frederic Leighton.
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